The Revolution will not be produced by Warner Brothers, 20th Century Fox, or Paramount Pictures.
August 15, 2010 § 4 Comments
The last couple of posts have been about women in film (and the occaisonal woman who directs/shoots/produces films). If I am lucky, I will be one of those women in front of the camera. If I am even luckier, I’ll actually enjoy the project that I’m shooting.
That’s the challenge of being a woman in the performing arts field, who is also a feminist. So much of the available jobs in TV/film/commercials are total and complete crap. Because plays are so expensive to produce (a three-person play with one set will cost at least six figures to produce in New York), casts are shrinking, and so are, you guessed it, roles for women.
One of our first assignments in our Acting For The Camera class was to talk about our classmates’ “types”. My professor was straightforward about what we would be most likely to be cast as [Evidently, I'm a quirky "character" type, who would be good in Meg-Ryan type roles]. Frankly, I don’t always appreciate it when people tell me, as a 20-year-old student, what I’ll likely be doing, based on my looks, for the majority of my career. And this year, the projects I filmed included:
-A wheelchair bound wife, having difficulty handling her disability.
-A bobby-soxer in the Fifties.
-A vagabond, living with a collective of people out of the bed of a pickup truck.
-A German prostitute.
-A cancer patient who makes a suicide pact with another cancer patient
Ie, things not in my supposed “type”.
At my first college, I saw talk of “types” totally destroy my classmates, who were convinced that they would not be able to do anything other than what another classmate or professor suggested. There is nothing more tragic in my mind than a bunch of 18-year-old college students that have been convinced that they cannot do anything other than one specific “type”.
As I think about my post-graduate opportunities, I’m leaning more towards jobs not directly related to performing arts, but ones where I could use some of my strengths that I’ve learned as an actor. Why? Because I would have more freedom than having to go on audition after audition, only to be told that I’m “not right for the job” because I am short/have red hair/do not look like Megan Fox.
One of the best things that I learned at my previous college was to make my own work, rather than waiting for good work to come my way. That has to be the future for film, television, and theatre if we want to see things other than Two and a Half Men and Paul Blart: Mall Cop.
I don’t want to be in the position to have to take the horribly sexist commercial/sitcom/film gig because that is the only work available for me. I’d rather break out, and set my own rules, than be stuck having to follow the rules of an industry that occasionally produces brilliant work, but is so stuck in a mentality of “if it doesn’t make money, it will fail” that they keep on doing the same thing, with the same shitty stereotypes, over and over again.
Plus, why would I want to work in the same industry that still employs Charlie Sheen?