September 24, 2009 § Leave a comment
A guest post by Joel of Citizen Obie.
I don’t know if this is really Women’s Glib material, but frankly, y’all get better exposure than my blog so I thought I’d try it here.
So basically they’re trying to do in Maine what they did in California over Prop 8. Literally, they’re using the same hateful ads designed to scare residents that marriage equality means all the children are going to be indoctrinated in school about the “Gay Agenda.”
I’m not from Maine but I’ve got a lot of affection for the state, and I also realize that we need as many state victories in the game if we’re going to succeed more broadly. Ohio managed to pass nondiscrimination legislation in the state house of reps this month. It may not get past the Republican-dominated senate, but the fact is it’s on the agenda and we need broader movement success to keep the momentum going. I can’t vote in Maine but I can contribute money (yep, from my $8/hr nonprofit job) to make sure my allies can mount a decent counter-ad. I urge you to join me and tell your friends: NO on Question 1.
Obviously if you can vote in Maine that works really well too. But don’t forget that voting with money is equally important and necessary in this gar political system we’re stuck with.
August 25, 2009 § 3 Comments
Cannot will myself to sleep, amidst my summer of supposed ‘relaxation and teenage antics.’ In fact, though I have wordlessly skimped on Women’s Glib, I am just re-situating with a computer now, my old pixilated comrade.
My summer has required me to find so many different facets for talking about women’s liberation. Now close to 4 am, my sister’s contented sighs from her dreams just reaching my ears, I turn to you, Women’s Glib!
I entered summer a few months ago by crewing for an old sloop activist-with-a-banjo Pete Seeger had erected 40 years ago to teach water education while sailing the Hudson River. Boat hierarchies are some of the strictest political systems, and I, as an apprentice, was on the lowest rung. Above me was the deckhand, the bosun, (or the handy person), the engineer, the second mate, the chief mate, and the captain.
Old sailing lore told of boats sinking and crew getting scurvy as a result of women being on a boat, let alone crewing for one. Yet years later, on a boat modeled off of mid 1800s cargo ships, both apprentices, the education intern, one of the educators, the deckhand, the bosun, the second mate, the chief mate, AND one of the alternating captains were all female. And holy shit, these women could sail.
In the month I lived on the vessel, I labored along side them as we worked 15 hour days through thunderstorms, maneuvered off and onto docks, and used power tools I hadn’t even touched before. Not only was I nearly keeled over at their work ethic and assertiveness, but they were some of the most kind and healthiest people I’ve met. It is so refreshing to be able to shy away completely from glossy magazines and primping and preening. These girls ate very full meals (I should know, I cooked a few of them) and never once suggested doing anything for means of image control/manipulation. (We were, arguably, hauling up a 3000 pound mainsail a few times a day).
In fact, I was able to engage in a phenomenon that continued as a trend into my summer. I had never before realized how often I saw my own reflection, be it in mirrors or even the glass facades of New York buildings. On the boat there were none, (or perhaps a tiny one?) so that we were all consistently as beautiful as we felt. So often I should look ABSOLUTELY RADIANT, because my stomach and heart are both practically lifted to my throat, (which would obviously enable flying); yet when I look in the mirror I am greeted with a different face, neck and shoulders completely. There was no battle to compare how well I felt to the archetype ‘good looking white female’ that encroaches every space I’ve found, spitting gender binaries out at me from rooftop ads and conversations. It was so nice to just assume that the way I looked synched with the way I felt. Ultimate liberation for me at this point was living with kickass female role models, and having a shape-shifter body, where I became my feelings. Has that ever happened to you? If so, how? Oops, digression!
August 11, 2009 § 14 Comments
Notice what poses the advertisers consider the “perfect” man, as opposed to woman, to lounge in? Notice where they’re clothed, where they’re nude? Notice that all three models are thin yet chiseled? Notice that they’re all white?
It’s embarassing that this movie is being portrayed as “futuristic” when the ideals it glorifies are decidedly tired. Hello? We see these ideas of perfection in the mainstream media every fucking day. Nothing about this is edgy.
August 2, 2009 § 1 Comment
Hey, so it’s been like 3 years since I have posted anything, but here it goes. SO, my job this summer is to research and map out the community of Inwood in terms of alcohol availability as well as the prominence of alcohol advertising. I am creating a Google Map that will compile all if this on one handy map, which I will definitely post here once I’m done. First of all, you would not believe how many ads there are, second of all, if anyone ever actually stopped to look at these ads (like I did), you would be SHOCKED. The way women are portrayed was so scary that I didn’t know what to do. Every deli, corner store, and bodega is covered in ads; most depicting women nearly naked, and often bent over, not facing the camera. I would show you a picture, but it is SO not appropriate, and I do not want to promote anything like that. This is not some magazine, where you can just turn the page; this is on every block, on every corner, basically everywhere you look. Also, Inwood is a young neighborhood, most of the population is very young, many under 18. The thing is, you would think “wow, that’s not subtle.” But really, it is. You don’t notice it unless you stop to look at it, and I am sure many elementary school-age boys and girls do see these every day.
What do you do though? These stores cannot and will not survive without alcohol advertisements, and who could POSSIBLY make alcohol advertisements without demoralizing women?
July 24, 2009 § 4 Comments
It’s summer, and though I’m busy working my tail patience off as a camp counselor, I also have quite a bit of downtime. I’ve seen a bunch of movies lately: some silly ones with my family (The Proposal and Year One) as well as films that I actually wanted to see (Away We Go and, last night, 500 Days of Summer — both excellent, the latter mostly because of my enormous crush on Zooey Deschanel). But one movie that I’m certain I won’t spend $12.50 on is The Ugly Truth, starring part-time feminist Katherine Heigl as a “romantically challenged morning show producer” and Gerard Butler as a professional douche. I’ve seen some previews that warned me of its knee-slappin’ “humor,” and then this morning I read the excellently scathing New York Times review by Manohla Dargis, fabulously titled Girl Meets Ape, and Complications Ensue.
When it comes to the old straight-boy-meets-straight-girl configuration with big-studio production values…the romantic comedy is nearly as dead as Meg Ryan’s career. In the best of these films, the women aren’t romantic foils, much less equals: they’re either (nice) sluts or (nicer) wives, and essentially as mysterious and unknowable as the dark side of the moon.
Which leads to “The Ugly Truth,” a cynical, clumsy, aptly titled attempt to cross the female-oriented romantic comedy with the male-oriented gross-out comedy that is interesting on several levels, none having to do with cinema. Katherine Heigl plays Abby, a producer for a ratings-challenged Sacramento morning television show, the kind that specializes in empty smiles, cooking tips and weather updates. She’s single and therefore, in the moral economy of modern Hollywood, unhappy. Her life goes into a tailspin when her boss hires a professional ape, Mike (Gerard Butler), who delivers loutish maxims on camera about the sexes that basically all boil down to this: Men have penises, and women should accommodate them any which way they can, preferably in push-up bras and remote-controlled vibrating panties.
…Ms. Heigl doesn’t do perky all that persuasively, but she does keep her smile and relative dignity even in scenes in which Abby is forced to play the fool, which is often, as when she’s hanging upside down from a tree in her skivvies. She even survives the scene that finds Abby writhing spasmodically during a dinner with her corporate masters, because, well, she’s wearing those pulsating panties, the boy at the next table has the remote, and there’s nothing funnier (or, really, scarier) than the spectacle of female pleasure.
I am SO. TIRED. of media that portrays women’s minds as murky, our bodies as property, and our desires as hilarious. A woman’s sexuality is not so damn difficult to understand — if you talk to and listen to her, which society is apparently loath to do.
And another thing: no one seems to get that these movies are as offensive to men as they are to women. Commenters on IMDB rave that it’s a “comedy for both sexes,” one you can “bring your boyfriend” to. Men should not be like Butler’s skeevy character; and what’s more, they aren’t. But movies like this convince the public that guys are practically children, and we shouldn’t expect to hold them accountable for atrocious sexist behavior.
“The Ugly Truth” is rated R (Under 17 requires accompanying parent or adult guardian).
The language is consistently crude and includes the apparently now requisite antigay slurs.
Yeah. Because straight = manly, manly = asshole, and asshole = sexy.
June 10, 2009 § 23 Comments
This is an advertisement for the second season of True Blood, a television series on HBO.
I have never seen this show, and my thoughts on this poster are difficult to articulate. But they’ve been stewing for weeks, and I know for sure that I am troubled by the combination of the sexual picture and the words “It hurts so good.” A few days ago I saw one of these on a payphone booth, and on the plastic cover was written in black marker: “Stop Domestic Violence. This Ad Is Dangerous.” I am seriously inclined to agree.
My response is complicated by my knowledge that some people achieve certain kinds of pleasure from certain kinds of pain. Some people embody the phrase on this poster. These people might be my friends, partners, teachers, or peers. They might even include my future self. I am conscious that this group, linked by sexual preferences, has a history of being demeaned and fetishized and caricatured by society, and I want no part in that degradation.
But at the same time, this advertisement scares me. Like the glamourization of dead women, this design portrays direct physical violence as something sexy. It tells boys and men that women will automatically lust after violent sexual interactions. The problem is not that women may indeed have such fantasies, and that they will have male partners who will participate – it’s that this ad sanctions sexually violent attitudes on a grand scale. In our consent-confused culture, this subtext could easily translate into an implicit excuse for sexual assault: it was hurting her good. She liked it, even if she didn’t say so.
That thought makes me more than a little nauseous.
June 5, 2009 § Leave a comment
Sarah Haskins goodness! This time she takes on the “story telling” aspect of commercials geared towards women.
Happy Friday, everybody!
April 1, 2009 § 2 Comments
March 30, 2009 § 4 Comments
So today I saw an unnerving ad for a bleach product whose name and manufacturer currently escapes me.
This ad, which I also cannot find online to link here (I’m sucking today), features a man lecturing a group of eager-to-please, neurotic women. What have these bad, bad, ladies done wrong? They have used bleach on their clothes that specifically say NO BLEACH. *GASP*
Thank God that we have whatever-company-makes-said-bleach to shame us about our bad housekeeping habits.
But it’s not really the shaming that gets me (although that’s really lovely). What I find particularly gross about this ad is that is features a MAN telling a group of WOMEN about this heavenly new science-y detergent. Because women, with their simply lady minds (I love you, Haskins) couldn’t possibly figure out that bleach shouldn’t touch non-bleach clothes! That’s beyond us, duh.
It would be awesome if the commercial were somehow teaching people that men can also pitch in around the house (something we never see in the commercial sector), but I don’t think it is making that statement at all.
But then, of course, when I step back from it all, I wonder whether or not I’m projecting feminist issues all over the place. But I guess that someone has to spew ‘agenda’ all over the place, because that helps us get to what’s really important. I don’t know. What do YOU think?
March 21, 2009 § 7 Comments
This week, Vogue‘s Shape issue, which touts “fashion for every figure,” has me pissed.
First off, there’s no way in hell that this magazine represents women of all shapes. The evidence is right there on the cover: above the Shape Issue: Fashion for Every Figure, from size 0 to 20 copy, I see NIP/TUCK: Designing a Perfect Body. And towards the bottom of the cover: Work It! Longer Legs, Leaner Lines, Sexier Silhouette. Because apparently only long legs and lean lines are sexy. Fuck that.
But the real misogynistic fodder is on the inside, in the Laid Bare spread (again with the long legs obsession: sky-high heels in leg-lengthening flesh tones are a revelation - really? A revelation? Because I think we’ve been seeing long, thin limbs in magazines for quite some time, and they’re certainly not missing from this issue). Pics from the spread after the jump.