April 18, 2012 § Leave a Comment
Lena Dunham’s new series Girls has been hotly anticipated, to put it mildly. It’s produced by Judd Apatow. It is directed, written by, and starring Lena Dunham. It has been Tweeted. A lot. Girls will supposedly be the new show that will be scarily relevant for young women who still hadn’t gone through puberty when Sex and the City premiered. I wanted to like Girls, because the current entertainment landscape is deviod of television and shows that include women in above-the-line positions, or barely pass the Bechdel Test.
However, my lovely roomate Rachel could have written a much funnier, relevant, and heartbreaking show about young women in their twenties sturggling to make it in a world where a college degree no longer guarantees a decent job.
Hannah (played by Dunham) is distraught when her parents announce that they will no longer be “bankrolling her groovy lifestyle”. Subsequently, Hannah is fired from her internship when she informs her boss that she can no longer work for free. Both of these situations are not uncommon for young twentysomething women. Unpaid internships in the world of theatre, media, and publishing seem to be the new way that many employers get around pesky fair-pay laws and devalue the earning power of women. So while I share Hannah’s frustrations about being mistreated as an intern, her opiomtastic plea for more money from her parents was bizarre and unrealistic. When I asked my parents to send me money for rent after I lost my low-paying, soul-crushing food service job, I broke down and cried. Money is a very sensitive subject, and whenever my friends confess that they have no way to pay for rent, food, bills, and loans without outside help from relatives, they do so with shame.
While Hannah is spoiled and shameless, she is the only character so far that has at least some dimension and vulnerabity. Jessa is the stereotypical bohemian Brit, and Shoshanna, in her one major scene in the pilot rambles on about nothing but Sex and the City. And while I have met women who talked about nothing but SATC they were slightly more interesting to be around than Shoshanna.
Being a young woman with a degree and far too much student loan debt is hard. And occaisonally, frightening. But most of the people I know wound up moving back in with their parents after graduation due to the lackluster job market, or worked multiple jobs in order to stay afloat with bills. They didn’t get the privilege of a financial crisis after 2 free years of rent. The girl-Women of Girls seem to be living in an alternate universe where moving back home is worse than death and Brooklyn is an exclusively white borough, with soft, photo-ready lighting. If Girls is the new Sex and the City, the show is following in its predecessor’s footsteps of featuireing a New York City exclusively populated by white people, save for that one black catcaller, since apparently all black men ever do is yell at white women.
The one thing Dunham did get right in the pilot was Hannah’s (deeply dysfunctional) relationship with Adam. Some writers have criticized the sex xcene between Hannah and Adam as being unglamorous and degrading. And that is the point. While I don’t have parents willing to pay for two years worth of my rent and bills while I try to “find myself” in New York, I know far too many men who believed that condom use was optional, and thought that a women willing to have sex was also willing to have anal sex. And I can understand why Hannah went out of her way to contact this slimy, somewhat abusive, habitual non-texter. Even smart, college-educated young women have a hard time turning off the voice that says everyewhere, in books, tv, movies, and magazines that bad (or even not especially consensual) sex is better than being alone, especially after your boss has fired you from your unpaid internship because you don’t know PhotoShop.
Girls should not be a unique show because it is written and directed by a woman. There should be so many shows directed, written, and produced by women that viewers should not have to feel like they should settle for a mediocre one in order to support female writers and directors. If the girls of Girls don’t grow up soon and move beyond their Gen Y versions of SATC charictatures, I won’t have a reason to keep tuning in. Especially because HBO gives the show a late evening time slot, and I’ve got work the next morning.
August 26, 2011 § Leave a Comment
This is a guest post by Sam, who will return to the University of Chicago this fall as a sophomore. Thanks Sam!
Just as rape charges were dropped against Dominique Strauss-Kahn earlier this week, an off duty NYPD officer was arrested for allegedly raping a woman in Upper Manhattan. The case is the third high profile rape incident to confront Manhattan District Attorney Cyrus R. Vance, Jr., following the Strauss-Kahn case and the trial of two police officers that were acquitted of charges that they raped a drunk East Village woman in her home.
Vance, who is just over a year and a half into his four-year term, has faced intense public scrutiny for failing to earn a conviction in both previous cases. While these criticisms and frustrations are understandable, energy spent criticizing Vance can be better used to draw attention to the thousands of rape victims in New York City and across the world who will never have the opportunity to face their attacker in a court of law.
While convicting a powerful man of rape would have made a strong statement that rape is wrong, a guilty verdict would not have made rape unacceptable. Even though we live under a system of justice that assumes innocence until proven guilty, it remains disturbing to see how much more credible a denial of rape is seen than an accusation. Public fascination with the backgrounds of victims reflects a culture that is more interested in seeing a drama play out in the courtroom than in having a responsible conversation about rape.
While both previous rape cases collapsed because of a lack of credible evidence, the newest accusation is the first case in which a witness other than the victim supports the rape accusation. Paul J. Browne, the NYPD’s chief spokesperson, has acknowledged that the officer was drunk and that he used his licensed weapon to intimidate his victim. Vance must use this evidence to vigorously prosecute the officer, while activists must elevate a conversation about rape.
Just as Vance must use this moment to ensure that women across New York are safe, activists must ensure that the voices of the women brave enough to speak out against their attackers inspire other women to do the same. To do so would be to do true justice for all women.
May 25, 2011 § 1 Comment
Hey, Shorty! A Guide to Combating Sexual Harassment and Violence In Schools and On The Streets by Joanne N. Smith, Mandy Van Deven, and Meghan Huppuch of Girls for Gender Equity
As a guide, Hey, Shorty! gets its proportions just right. The book fluidly combines instruction and imagination, realistic activist advice and idealistic social justice zeal. Smith, Van Deven, and Huppuch, of the remarkable organization Girls for Gender Equity, are admirably and skillfully tackling the issue of gender-based violence against youth, particularly in public schools. This is a rampant problem, one is that far too often dismissed, and one that sits at the nexus of so many social justice concerns — self-efficacy, empowerment, education, health, poverty…
I loved the rhetoric of refusal that the book offers; here is a generation of women who are refusing retrograde gender norms and refusing to buy in to a system predicated on complacency, silence, and shame. And beyond all this refusal there’s an overwhelming sense of affirmation: so many girls have found a sense of belonging and purpose through projects like this one.
GGE will celebrate its tenth anniversary this September. The work of their staff and supporters is certainly impressive, but what most inspired me while reading this book were the voices of the young women who work with GGE through initiatives like Sisters in Strength. I’ll end with their thoughts:
“School is not just a place to gain knowledge but also a place where students can easily be affected by sexual harassment. What a disgrace. How can we progress in our schoolwork if we are impacted and distracted by sexual harassment?” — Cyndi, youth organizer
“I had just given birth to my daughter, who is now three years old, and Sisters in Strength gave me the courage to let everyone know that I stand for something, that I’m not just some statistic. I learned that I am a smart and beautiful young woman who doesn’t have to let having a child end my life. Life goes on and I am going on too. I am a fighter who will succeed and become a great member of society. I have a lot more confidence than I had before this experience.” — Jazmine, youth organizer
Women’s Glib is part of the Hey, Shorty! Virtual Book Tour. Check out this link to see other Tour stops and spaces that are supporting this project and find out how you are able to support it too!
March 21, 2011 § 3 Comments
I. What are the precise mechanics of a YouTube video “going viral”?
Black’s video was originally posted on February 10, but started garnering a significant number of hits about a month later on Friday March 11. A friend showed it to me in person on Tuesday March 15; over the next few days it spread quickly among my classmates, and many of Friday March 18′s Facebook status updates were devoted to parodies and references to the song. As I write this the official YouTube video has more than 30 million views.
II. Who is Rebecca Black?
She seems earnest and sweet; she apparently plans to donate much of her iTunes sales profits to “school arts programs and relief efforts in Japan.” How did she get involved with Ark Music Factory
III. Who wrote the song? (It wasn’t Black.) And who auto-tuned the shit out of it? Because: HA. Kudos on your career. To be honest, I completely agree with Rolling Stone’s assessment that the song is “an unintentional parody of modern pop.” And I’d love to hear more from the true creator of said unintentional parody.
IV. What’s up with Ark Music Factory?
I couldn’t find much definitive information about the label’s business model or how one becomes associated with it; all I know for sure right now is that their website’s child-porn aesthetic gives me the creeps.
V. Why are we so culturally infatuated with improbable images of young teen girls partying?
It seems that society is only interested in girls when we’re appearing carefree and having capital-F Fun. Alarmingly few people are interested in struggle or unsureness or complex emotion. Which is unfortunate, because to my knowledge that’s exactly the register in which women operate from the ages of ten to twenty (or ten to forever?).
VI. What’s behind the onslaught of hatred towards Rebecca Black?
It is now a well-established fact that “Friday” is not good. You are not contributing something new to the discourse by saying the song sucks. Offering criticism of Black’s creative work is fine; anyone who puts a piece of writing or song or video or whatever out into the world should expect as much in response. What’s disturbing is the criticism that’s been leveled at Rebecca Black as a person. Her situation is emblematic of a phenomenon faced by many female pop stars, in which consumers use “critique” of an artist’s work to not-so-subtly critique her. (For guys, quite the opposite. Even Chris Brown’s undisputed real-life actions didn’t yield substantial public criticism of his personality or moral code.)
Asked by ABC’s Andrea Canning about the meanest response to her video that she’s read, Black says: “I hope you cut yourself and I hope you get an eating disorder so you’ll look pretty, and I hope you go cut and die.” These words have nothing to do with “Friday” — and actually, they probably have nothing to do with Rebecca Black. These words are about the vitriolic hostility that women are routinely and reflexively shown whenever they step foot into the media’s public arena. I’ve seen the video over and over, and I’m left wondering: Why is our culture simultaneously so obsessed with this video and so seemingly angered by it? I guess the real question is, why are we so hungry for media from women we can hate?
March 8, 2011 § 5 Comments
What happens when Daniel Craig and Judi Dench collaborate to make a public service announcement about gender inequality, which includes Craig dressing in hosiery, heels, a dress, wig, and earrings?
Chilling awesomeness happens.
Then again, Craig was the butt of a shitstorm of jokes when he was announced as the New Bond, because he wasn’t “manly” enough for the role. Evidently, being short/having sensitive skin*/not driving a stick/not caring for guns meant that he was a “wuss”. It’s great to see an actor known for playing a traditionally hyper-masculine role spend his time and energy making a great point about sexism.
And Judi Dench needs to narrate everything. All the time.
February 11, 2011 § Leave a Comment
HOW TO KNOW IF YOU’VE BEEN RAPED: A handy checklist based on the federal government’s (FBI, UCMJ) — recently updated — definition of “forcible rape.”…
7. Were you on a date with this man?
-If the answer is yes, you should have expected this. And if he bought you dinner, you’re ungrateful.
-If the answer is no, please proceed.
8. Were you drinking prior to the incident?
-Yes? Maybe you actually DID want to have sex.
-No? Good girl, keep going.
Hilarious in that way that makes you want to sob. Seriously, go read the whole thing.
February 7, 2011 § 1 Comment
This, apparently, sets me apart from the kind and misunderstood souls of Someecards. They are usually so funny! But you know what is not funny, at all? Oh right, this:
HILARIOUS!!! Because if there’s anything worse than traumatic sexual assault followed by bravely coming forward followed by being derided and discredited and ignored, it is watching a tacky football half-time show on a television that you turned on.
I was kind of willing to overlook Someecards’ previous Ben Roethlisberger cards (here and here) because I could at least fool myself into thinking that they were essentially making fun of Roethlisberger, not his alleged victims. But this? This I’m not willing to overlook.
I tweeted @someecards to voice my discomfort, and received this reply:
They have not responded to my second tweet. If you’re on Twitter, please tweet @someecards and let them know why this isn’t okay.
People seem to enjoy rape jokes because they think they’re “edgy.” In reality, there’s absolutely nothing edgy about rape; indeed, it happens all the time. It is a serious and disgusting crime that cannot be joked about in this callous way. This kind of humor is not only tasteless and hurtful, it’s also boring. Plenty of people make light of rape, Someecards: you’re nothing special.
December 17, 2010 § Leave a Comment
More than 20 years after his film Roger and Me, about Flint’s connections to General Motors, and how the city is affected by outsourcing, Michael Moore still has strong geological and emotional ties to the eastern side of the state of Michigan. He mentioned Flint in Bowling for Columbine and Farenheit 9/11, and was clearly passionate about shedding light on the disparity of wealth within Flint. Hell, his Twitter handle is @MMFlint. In his films and interviews, he frequently is seen wearing apparel with the logos of several Michigan colleges, including Michigan State University, and Eastern Michigan University. I wonder if Moore has visited Eastern Michigan University, or spoken at the school recently. If he did, he may have heard about what happened in 2006 to Eastern student Laura Dickinson.
Laura Dickinson, a student at EMU was raped and murdered in her dorm room in December 2006. EMU originally told her family that she died of natural causes, and it was only after a suspect was arrested that the school informed Dickinson’s family that her death was a homocide. EMU was fined for violating the Beverly Clery Act (which requires colleges and universities to report felonies that happen on campus), settled with the Dickinson family out of court, and the President, Vice President, and Public Safety Director were fired. Dickinson’s death, EMU’s cover-up, and the murder trial were on the news constantly, and brought the kind of publicity that a small town in West Michigan does not want. At the same time, the Dickinson family held several benefits, with proceeds going to causes that Laura supported. Friends and neighbors stepped in to help run the family coffee shop during the months after her death.
It was hard to hear TV and radio reports about Laura’s death, because I knew her family, spent numerous hours in their coffeeshop, and it was sad that instead of being in the news because State Grounds supported the community by letting musicians perform in the space, or raised money for important causes. They were on the news because their daughter had died, and the institution that should have been looking out for her safety failed to protect her, and decided to lie to her family.
When I hear the phrase “travesty of justice”, I think about how EMU treated the grieving Dickinson family. I don’t think about Assange turning himself in, being jailed for a short period of time, being released on bail, and spending his holiday in an English mansion. It isn’t so much Moore posting bail for Assange (it’s his money, he can waste it however he wants to) that pisses me off, it’s Moore’s going on “Countdown With Keith Shouts-A-Lot”, and claiming that his donation stems from a belief that Assange was “set up” and that his complainants are merely upset groupies/”honeypots”/CIA informants/otherwise hell bent on destroying WikiLeaks. This is a criminal case, and instead of trying Assange and his accusers in the Court of the Internet (which is highly susceptible to severe cases of trolling), we should let the courts do their job. And we should reserve judgement about the veracity of the accusations until all parties must testify under oath.
Moore and Olbermann have been silent about their fantastically insensitive comments. I understand that having to explain their justification behind saying that Assange’s work was more important than having to do something as pesky as answer for a crime he has been accused of (and spreading misinformation about Assange’s accusers) must be hard. How about they meet with the Dickinson family, and ask them what it was like to not only have a daughter die after being assaulted, but to have a university lie to them about her death? If Moore doesn’t particularly care about the whole “sexual assault is bad” thing, it would at least provide another example of why cover-ups, and the spreading of lies, by any person or organization, can be devastating and hurtful.
And then maybe, just maybe, Michael Moore and Keith Olbermann will realize why dismissing rape accusations comes off as hurtful, insensitive, pompous, and a slew of other unpleasant adjectives. And then oh, I don’t know, donate at least a little bit of their fortunes to RAINN?