July 20, 2010 § Leave a comment
So I’m currently interning at the wonderful, feminist-friendly, bilingual Northern Manhattan Arts Alliance, an organization located in Washington Heights, dedicated to the promotion of artists in Northern Manhattan. It’s a highly community oriented and welcoming environment that I’m already in love with. Its mission is to give voices to artists of various medias that may not typically be given opportunities to show their work.
One such artist is the fantastic Jessica Lagunas. I was lucky enough to see some of her work at an earlier show celebrating Latino artists this year and I was blown away. Born in Nicaragua in 1971, she’s dedicated to exploring themes–often of a heavy nature–such as body image, sexuality, ethnicity, and age, all from a distinctly female perspective.
I encourage you to go check out her stuff, particularly her videos, in which she does certain beauty rituals for up to two hours. They’re grotesque and fascinating and leave me with an uneasy feeling in the pit of my stomach. In a good way. I think. It’s certainly thought provoking.
And good news! Her work is being exhibited right now. If you’re in the New York area or Spain go check her out! I know I plan to.
Her bio can be found here.
June 21, 2010 § 2 Comments
Friends: Regina Spektor! She is just so delightful! And her music is like when you wake up slicked in sweat on a hot summer morning in your stuffy, un-air-conditioned, fourth floor walk-up apartment and open the window and a cold rush of breeze floods in and you feel alive again. Also, she played a benefit concert for Planned Parenthood. Hearts.
Regina’s music is weird. Seriously, it is strange. She is well-known for her odd and original sound play; she often exaggerates her glottal stop, slurs her words, and switches rapidly between a near-whisper and loudly belted notes. This matters because, as has been said about Lady Gaga, I think a woman’s willingness to be strange — and shamelessly so — is a profoundly feminist act in a culture that prefers its ladies to act like robots.
I also have a feminist (and aesthetic) appreciation for Regina’s musical whimsy. Her work has a strong trend of poking fun at sex, love, and gendered interactions. Below, a selection and explanation of my favorite Spektor lyrics.
June 12, 2010 § 11 Comments
In my Shakespeare class, our final paper was on Shakespeare’s epic Hamlet and out of all the choices of topics we had to write about, I chose Ophelia. During our unit on Hamlet I found myself surprised over and over again by how intensely many people seemed to hate her. (And I don’t use the term hate lightly, I mean they despised her!) “The play would be the same without her!” “She doesn’t DO anything.” “She’s way too passive!” At one point, I ended up in a very impassioned debate outside of class against five other classmates. Guess who the one person that liked Ophelia was?
To be sure, Ophelia is a passive character, but for some reason that fact doesn’t cause me to loathe her. Weird.
I wrote this paper as a sort of defense, if you will. I think that Ophelia’s passivity stems from her environment and that the truly tragic thing about her is that she knows no other way to act. She is one of only two females drowning (forgive the pun–I’m tired) in an overpoweringly large cast of males. She has no support system that encourages her to act on her own and every man around her somehow feels the need to tell her how to behave. But I won’t lay out my thesis right here and now. You can click below to read the full paper.
I figure at least one reader must be a Shakespeare buff. Enjoy!
June 5, 2010 § Leave a comment
January 23, 2010 § 1 Comment