March 30, 2011 § Leave a comment
It’s the 10th anniversary of the Back Up Your Birth Control day of action. Today is an opportunity to learn about emergency contraception (EC), how it works, when you can take it, and why access to it is threatened — and a reminder to back yourself up!
— Sign the petition calling on the FDA to end restrictions on EC. Tell the FDA to stop stalling and expand over-the-counter access to EC to women of all ages.
— Sign the petition to say that contraception is prevention. Speak out to help ensure that comprehensive contraceptive care, including EC, is covered free of charge under the preventive care provision of health care reform.
Sign ’em! And back it up, ladies. It’s so much easier to buy over-the-counter emergency contraception now so you have it on hand; if the need arises, you can skip the anxious rush to the drugstore when you or your friend is in a bind.
March 23, 2011 § Leave a comment
Hey, New Yorkers who will be in town on April 4 — I’m jealous of you! Because you can go to Planned Parenthood’s annual ROE ON THE ROCKS BENEFIT CONCERT featuring Sara Benincasa, Thao with the Get Down Stay Down, Ana Egge, and The Bloodsugars.
The Roe on the Rocks concert is held every year to recognize the anniversary of Roe v Wade, the historic Supreme Court Case which 38 years ago confirmed women’s right to privacy and thus access to abortion services. The show couldn’t come at a more important time – following three months of the worst attack on not just reproductive rights but the right to basic health care, that our country has ever seen.
What: 4th Annual Roe on the Rocks Benefit Concert for Planned Parenthood of New York City
Who: Sara Benincasa / Thao with The Get Down Stay Down / Anna Egge / The Bloodsugars / Other Special Guests to come
Where: Bowery Ballroom, NYC
When: April 4th, 2011 at 7:00pm
Tickets (18+): General Admission $25 / VIP $75
Remember, all proceeds from the event will go to Planned Parenthood of New York City and support their amazing, crucial work. Tickets are available now!
March 21, 2011 § 3 Comments
I. What are the precise mechanics of a YouTube video “going viral”?
Black’s video was originally posted on February 10, but started garnering a significant number of hits about a month later on Friday March 11. A friend showed it to me in person on Tuesday March 15; over the next few days it spread quickly among my classmates, and many of Friday March 18’s Facebook status updates were devoted to parodies and references to the song. As I write this the official YouTube video has more than 30 million views.
II. Who is Rebecca Black?
She seems earnest and sweet; she apparently plans to donate much of her iTunes sales profits to “school arts programs and relief efforts in Japan.” How did she get involved with Ark Music Factory
III. Who wrote the song? (It wasn’t Black.) And who auto-tuned the shit out of it? Because: HA. Kudos on your career. To be honest, I completely agree with Rolling Stone’s assessment that the song is “an unintentional parody of modern pop.” And I’d love to hear more from the true creator of said unintentional parody.
IV. What’s up with Ark Music Factory?
I couldn’t find much definitive information about the label’s business model or how one becomes associated with it; all I know for sure right now is that their website’s child-porn aesthetic gives me the creeps.
V. Why are we so culturally infatuated with improbable images of young teen girls partying?
It seems that society is only interested in girls when we’re appearing carefree and having capital-F Fun. Alarmingly few people are interested in struggle or unsureness or complex emotion. Which is unfortunate, because to my knowledge that’s exactly the register in which women operate from the ages of ten to twenty (or ten to forever?).
VI. What’s behind the onslaught of hatred towards Rebecca Black?
It is now a well-established fact that “Friday” is not good. You are not contributing something new to the discourse by saying the song sucks. Offering criticism of Black’s creative work is fine; anyone who puts a piece of writing or song or video or whatever out into the world should expect as much in response. What’s disturbing is the criticism that’s been leveled at Rebecca Black as a person. Her situation is emblematic of a phenomenon faced by many female pop stars, in which consumers use “critique” of an artist’s work to not-so-subtly critique her. (For guys, quite the opposite. Even Chris Brown’s undisputed real-life actions didn’t yield substantial public criticism of his personality or moral code.)
Asked by ABC’s Andrea Canning about the meanest response to her video that she’s read, Black says: “I hope you cut yourself and I hope you get an eating disorder so you’ll look pretty, and I hope you go cut and die.” These words have nothing to do with “Friday” — and actually, they probably have nothing to do with Rebecca Black. These words are about the vitriolic hostility that women are routinely and reflexively shown whenever they step foot into the media’s public arena. I’ve seen the video over and over, and I’m left wondering: Why is our culture simultaneously so obsessed with this video and so seemingly angered by it? I guess the real question is, why are we so hungry for media from women we can hate?
March 13, 2011 § Leave a comment
…are endlessly amusing. At least to me in the midst of the fresh hell that is Winter Quarter finals week? Behold the following email exchange between my friend and her mother:
Sent: Sun, March 13, 2011 12:22 AM
Subject: I’m sorry to seem needy
but can you send me a little bit of money? Pwease?
LUH YOU SOSOSOSOSO MUCH!
Sent: Sun, March 13, 2011 10:13:26 AM
Subject: Re: I’m sorry to seem needy
Good morning. I will be happy to send you a little money, but do you realize that the message you just sent seems to fit squarely within a submissive female stereotype that reminds me of movies from the 1930s-50s? Please explain.
March 13, 2011 § Leave a comment
March 9, 2011 § 2 Comments
Students at Wesleyan created this flippin’ fantastic video in response to the attacks on Planned Parenthood. Watch!