September 1, 2011 § 2 Comments
So, there’s a bit of a tradition of veteran MLB relief pitchers making their rookie counterparts do embarrassing and unpleasant things. The NYTimes reports the latest update: “A hazing ritual that has gone on for years seems to have reached a new level of absurdity at major league ballparks: rookie relievers are being forced to wear schoolgirl backpacks — gaudy in color, utterly unmanly — to transport gear.”
“Unmanly”! “Painful”! “Torment”! “Flamboyant”! “Amusing”! “Humiliating”! And — take a deep breath — “pink”!
They’ve spelled it out for me: there’s nothing more humiliating than being a girl. It’s a trope that’s entirely undisguised, and actually entirely unoriginal.
I’M SICK OF IT.
There is a bit of girl inside everyone. Regardless of your age or gender, she’s there. She’s the part of you that’s strong, feisty, vulnerable, compassionate, and resilient. She might be at the surface but more often she’s been repressed — like a voice silenced, like tears held in. Take a page from Eve Ensler’s book and EMBRACE YOUR INNER GIRL. If we’ve all been told to suppress her, imagine the vast power she might wield if released. She’s anything but a humiliation.
June 4, 2011 § 6 Comments
I’m done with finals, and have a brief respite from school, so I can finally collect my thoughts long enough to write a semi-coherent blog post. I’ve also moved into an apartment, and two of my roomates are women who are heavily involved in SCAD’s (Savannah College of Art & Design) film department. One is a film major, the other is a dramatic writing major with a film minor. Both are amazingly talented individuals.
They both went to the Scademy Awards, which is SCAD’s version of the Academy Awards, in which individuals in the film department nominate studeint films for awards.
According to my roommates, not a single woman in the film department was nominated/won an award for their work.
There are approximately 1,000 students in SCAD’s film department. Surely there is at least one woman in the film/dramatic writing department who is making award-winning work.
SCAD loves to boast about preparing their students for the “real world”. But misogyny and underrepresentation of women within the film industry is not a “real world” quality that a very expensive institute of higher learning should be promoting.
May 25, 2011 § 1 Comment
Hey, Shorty! A Guide to Combating Sexual Harassment and Violence In Schools and On The Streets by Joanne N. Smith, Mandy Van Deven, and Meghan Huppuch of Girls for Gender Equity
As a guide, Hey, Shorty! gets its proportions just right. The book fluidly combines instruction and imagination, realistic activist advice and idealistic social justice zeal. Smith, Van Deven, and Huppuch, of the remarkable organization Girls for Gender Equity, are admirably and skillfully tackling the issue of gender-based violence against youth, particularly in public schools. This is a rampant problem, one is that far too often dismissed, and one that sits at the nexus of so many social justice concerns — self-efficacy, empowerment, education, health, poverty…
I loved the rhetoric of refusal that the book offers; here is a generation of women who are refusing retrograde gender norms and refusing to buy in to a system predicated on complacency, silence, and shame. And beyond all this refusal there’s an overwhelming sense of affirmation: so many girls have found a sense of belonging and purpose through projects like this one.
GGE will celebrate its tenth anniversary this September. The work of their staff and supporters is certainly impressive, but what most inspired me while reading this book were the voices of the young women who work with GGE through initiatives like Sisters in Strength. I’ll end with their thoughts:
“School is not just a place to gain knowledge but also a place where students can easily be affected by sexual harassment. What a disgrace. How can we progress in our schoolwork if we are impacted and distracted by sexual harassment?” — Cyndi, youth organizer
“I had just given birth to my daughter, who is now three years old, and Sisters in Strength gave me the courage to let everyone know that I stand for something, that I’m not just some statistic. I learned that I am a smart and beautiful young woman who doesn’t have to let having a child end my life. Life goes on and I am going on too. I am a fighter who will succeed and become a great member of society. I have a lot more confidence than I had before this experience.” — Jazmine, youth organizer
Women’s Glib is part of the Hey, Shorty! Virtual Book Tour. Check out this link to see other Tour stops and spaces that are supporting this project and find out how you are able to support it too!
May 3, 2011 § 2 Comments
Get. Your. Act. Together.
First Jennifer Lawrence as Katniss in The Hunger Games?
Then Bradley Cooper in a remake of The Crow?
And now speculation that Kate Hudson has signed on to another Linda Lovelace
torture porn, i mean biopic featuring torture porn?
Oh, and let’s not forget Rosie Huntington-Whitley in the next Transformers
celebration of boobies and explosions shitshow.
And I still remember the fact that one of you cast a neurotypical woman in Temple Grandin and an able-bodied man on Glee.
I graduate in November. Care to clean up your act and make the industry a little less fucked up when it comes to gender, race, and (dis)ability?
Otherwise, I’m going to be very, very pissed off. And it’s not a good idea to piss of a ginger feminist badass with too much student loan debt and no tolerance for this bullshit.
March 21, 2011 § 3 Comments
I. What are the precise mechanics of a YouTube video “going viral”?
Black’s video was originally posted on February 10, but started garnering a significant number of hits about a month later on Friday March 11. A friend showed it to me in person on Tuesday March 15; over the next few days it spread quickly among my classmates, and many of Friday March 18’s Facebook status updates were devoted to parodies and references to the song. As I write this the official YouTube video has more than 30 million views.
II. Who is Rebecca Black?
She seems earnest and sweet; she apparently plans to donate much of her iTunes sales profits to “school arts programs and relief efforts in Japan.” How did she get involved with Ark Music Factory
III. Who wrote the song? (It wasn’t Black.) And who auto-tuned the shit out of it? Because: HA. Kudos on your career. To be honest, I completely agree with Rolling Stone’s assessment that the song is “an unintentional parody of modern pop.” And I’d love to hear more from the true creator of said unintentional parody.
IV. What’s up with Ark Music Factory?
I couldn’t find much definitive information about the label’s business model or how one becomes associated with it; all I know for sure right now is that their website’s child-porn aesthetic gives me the creeps.
V. Why are we so culturally infatuated with improbable images of young teen girls partying?
It seems that society is only interested in girls when we’re appearing carefree and having capital-F Fun. Alarmingly few people are interested in struggle or unsureness or complex emotion. Which is unfortunate, because to my knowledge that’s exactly the register in which women operate from the ages of ten to twenty (or ten to forever?).
VI. What’s behind the onslaught of hatred towards Rebecca Black?
It is now a well-established fact that “Friday” is not good. You are not contributing something new to the discourse by saying the song sucks. Offering criticism of Black’s creative work is fine; anyone who puts a piece of writing or song or video or whatever out into the world should expect as much in response. What’s disturbing is the criticism that’s been leveled at Rebecca Black as a person. Her situation is emblematic of a phenomenon faced by many female pop stars, in which consumers use “critique” of an artist’s work to not-so-subtly critique her. (For guys, quite the opposite. Even Chris Brown’s undisputed real-life actions didn’t yield substantial public criticism of his personality or moral code.)
Asked by ABC’s Andrea Canning about the meanest response to her video that she’s read, Black says: “I hope you cut yourself and I hope you get an eating disorder so you’ll look pretty, and I hope you go cut and die.” These words have nothing to do with “Friday” — and actually, they probably have nothing to do with Rebecca Black. These words are about the vitriolic hostility that women are routinely and reflexively shown whenever they step foot into the media’s public arena. I’ve seen the video over and over, and I’m left wondering: Why is our culture simultaneously so obsessed with this video and so seemingly angered by it? I guess the real question is, why are we so hungry for media from women we can hate?
March 8, 2011 § 5 Comments
What happens when Daniel Craig and Judi Dench collaborate to make a public service announcement about gender inequality, which includes Craig dressing in hosiery, heels, a dress, wig, and earrings?
Chilling awesomeness happens.
Then again, Craig was the butt of a shitstorm of jokes when he was announced as the New Bond, because he wasn’t “manly” enough for the role. Evidently, being short/having sensitive skin*/not driving a stick/not caring for guns meant that he was a “wuss”. It’s great to see an actor known for playing a traditionally hyper-masculine role spend his time and energy making a great point about sexism.
And Judi Dench needs to narrate everything. All the time.